Proven settings for specific professional outcomes. All values are starting points — trust your ears and adjust to taste.
ButterComp2 — NY Parallel Compression
The “New York compression” technique: heavily compress a copy, blend it under the dry signal to bring up micro-details and room without affecting transients.
| Setting | Value |
|---|
| Compress | 0.42 |
| Output | 0.82 |
| Dry/Wet | 0.55 |
| Character | Mix cohesion |
| Setting | Value |
|---|
| Compress | 0.78 |
| Output | 0.90 |
| Dry/Wet | 0.33 |
| Character | Room and sustain |
| Setting | Value |
|---|
| Compress | 0.62 |
| Output | 0.95 |
| Dry/Wet | 0.78 |
| Character | Welded elements |
Pultec Techniques
The Pultec Low-End Trick
| Control | Value |
|---|
| LF Boost Freq | 60 Hz |
| LF Boost | 0.55 |
| LF Cut | 0.42 |
Simultaneous boost and cut creates the classic tight-but-extended Pultec low end. The two filters interact to form a curve no single filter can produce: sub presence without low-mid bloom.
Air and Warmth (Master Bus)
| Control | Value |
|---|
| LF Boost Freq | 30 Hz |
| LF Boost | 0.25 |
| HF Boost Freq | 12 kHz |
| HF Boost | 0.38 |
| Tube Drive | 0.15 |
Guitar Bus Presence
| Control | Value |
|---|
| HF Boost Freq | 8 kHz |
| HF Boost | 0.45 |
| HF Boost BW | 0.60 |
| HF Cut Freq | 20 kHz |
| HF Cut | 0.20 |
Dynamic EQ Applications
Sub Control (Kick/Bass Bus)
| Control | Value |
|---|
| Mode | Compress Down |
| Detector / EQ Freq | 60 – 80 Hz |
| Q | 1.0 |
| Threshold | −18 dBFS |
| Ratio | 3:1 |
| Attack | 5 ms |
| Release | 120 ms |
Tames sub peaks without flattening sub energy — only compresses when things get hot.
Mud Gate (200 Hz region)
| Control | Value |
|---|
| Mode | Gate |
| Detector / EQ Freq | 220 Hz |
| Q | 2.0 |
| Threshold | −22 dBFS |
| Ratio | 4:1 |
Attenuates the mud zone between drum hits, opening up clarity in the low mids.
Mastering De-Essing
| Control | Value |
|---|
| Mode | Compress Down |
| Detector Freq | 7000 – 8000 Hz |
| EQ Freq | 7000 Hz |
| Q | 1.5 – 2.0 |
| Threshold | −14 to −10 dBFS |
| Ratio | 2:1 – 3:1 |
| Attack | 3 – 8 ms |
| Release | 50 – 100 ms |
Dynamic Presence Enhancement
| Control | Value |
|---|
| Mode | Expand Up |
| Detector / EQ Freq | 3000 Hz |
| Q | 1.5 |
| Threshold | −24 dBFS |
| Ratio | 2:1 |
Expands presence on transient peaks — when the bus gets loud, the targeted frequency range opens up, adding definition to the collective sound.
Neve 1073 Character (Vintage Model)
| Control | Value |
|---|
| Model | Vintage |
| Input Drive | 0.35 |
| Input Saturation | 0.30 |
| Output Drive | 0.20 |
| Output Saturation | 0.25 |
| Low Response | +0.3 |
| High Response | +0.1 |
SSL G-Bus Character (British Model)
| Control | Value |
|---|
| Model | British |
| Input Drive | 0.50 |
| Input Saturation | 0.45 |
| Output Drive | 0.35 |
| Output Saturation | 0.30 |
| High Response | +0.3 |
API Console Character (Modern Model)
| Control | Value |
|---|
| Model | Modern |
| Input Drive | 0.30 |
| Input Saturation | 0.20 |
| Output Drive | 0.15 |
| High Response | +0.4 |
Punch Techniques
Transparent Loudness Maximization
| Control | Value |
|---|
| Clip Mode | Soft or Cubic |
| Ceiling | −0.3 dBFS |
| Oversampling | 4× |
| Transient Attack | 0.30 – 0.50 |
| Mix | 1.0 |
Parallel Clipping (More Transparent)
| Control | Value |
|---|
| Clip Mode | Cubic |
| Ceiling | −0.1 dBFS |
| Mix | 0.75 |
Blends clipped signal with dry signal. Dry path handles transients; clipped path adds density.