Pultec EQ
EQ — Position 3
The Pultec EQP-1A is one of the most revered equalizers in recording history. Its passive tube circuit enables a unique behavior: the low-frequency boost and cut controls can be applied simultaneously, producing a characteristic curve no single filter can reproduce. The original hardware’s inductor network also creates a resonant peak at the shelf corner frequency — this module models that resonance authentically.
Controls
Low Frequency Section
| Control | Range | Description |
|---|---|---|
| LF Boost Freq | 20–300 Hz (skewed) | Corner frequency for the LF boost shelf. 60 Hz is the classic kick/bass fundamental; 100–150 Hz for warmth on guitars or synth bass. |
| LF Boost | 0–18 dB | Low shelf boost amount. At the corner frequency, the LCR resonant peak adds an additional bump (≈45% of boost dB, Q=1.8), characteristic of the original hardware inductor. |
| LF Boost Bandwidth | 0.0–1.0 | Shelf width. 0 = narrow (Q=1.0, boost concentrated just below corner). 0.67 = musical default (Q=0.5, boost spreads through 2–3× the corner frequency). 1.0 = wide (Q=0.25, broad low-end lift). |
| LF Cut Freq | 20–400 Hz (skewed) | Corner frequency for the simultaneous LF cut. Typically set to the same frequency as the boost or slightly lower. |
| LF Cut | 0–18 dB | Low shelf attenuation amount. Cuts the low-mid bloom while the boost adds sub energy — the source of the classic Pultec shape. |
| LF Cut Bandwidth | 0.0–1.0 | Cut shelf width. Same Q mapping as LF Boost Bandwidth. |
High Frequency Section
| Control | Range | Description |
|---|---|---|
| HF Boost Freq | 3–20 kHz | High-frequency boost center. 8–12 kHz for presence and air; 3–5 kHz for upper-mid bite. |
| HF Boost | 0–18 dB | HF boost. The Pultec HF boost is famous for being non-fatiguing at high amounts due to the gentle passive shelf shape. |
| HF Boost BW | 0.0–1.0 | HF boost bandwidth. Low = wide, shelf-like. High = narrow, bell-shaped. |
| HF Cut Freq | 5–25 kHz | HF shelving cut center. |
| HF Cut | 0–18 dB | HF shelf cut amount. |
Saturation
| Control | Range | Description |
|---|---|---|
| Tube Drive | 0.0–1.0 | Tube saturation via tanh soft clipping. Low values (0.1–0.25) add analog warmth without audible distortion. Higher values bring in harmonic density. |
| Bypass | On/Off | Bypasses all processing. |
LCR Resonance
The original EQP-1A’s inductor network creates a resonant peak at the boost shelf corner frequency. This is not a bug — it is the reason the Pultec adds perceived punch even at modest boost levels. The resonant peak is modeled as a PeakingEQ at the corner frequency with:
- Amplitude: 45% of the shelf boost dB
- Q: 1.8
At +12 dB LF Boost / 60 Hz, you get approximately +5.4 dB of resonant peak right at 60 Hz, sitting on top of the shelf boost. This combination gives kick drums and bass instruments a tight, focused fundamental.
The LF Boost Bandwidth control interacts with this: a wider shelf (higher BW value) spreads the boost through more of the musical range (100–300 Hz), making it useful for guitar buses and synths in addition to bass-heavy material.
The Pultec Trick
The simultaneous boost/cut is the most celebrated Pultec technique:
Techniques
Master Bus Weight and Air
| Control | Value |
|---|---|
| LF Boost Freq | 30 Hz |
| LF Boost | 6 dB |
| LF Boost Bandwidth | 0.67 |
| HF Boost Freq | 12 kHz |
| HF Boost | 4 dB |
| Tube Drive | 0.15 |
Sub weight below 30 Hz with the LCR resonance providing a gentle 30 Hz focus, plus air above 12 kHz. Classic mastering move.
Guitar Bus Presence
| Control | Value |
|---|---|
| LF Boost Freq | 100 Hz |
| LF Boost | 5 dB |
| LF Boost Bandwidth | 0.8 |
| HF Boost Freq | 8 kHz |
| HF Boost | 6 dB |
| HF Boost BW | 0.60 |
Wide LF boost at 100 Hz adds body and weight to electric guitars. The resonant peak at 100 Hz gives that characteristic upper-bass warmth. HF presence boost at 8 kHz adds cut-through.
Bass Bus Fundamentals
| Control | Value |
|---|---|
| LF Boost Freq | 60 Hz |
| LF Boost | 10 dB |
| LF Boost Bandwidth | 0.5 |
| LF Cut Freq | 60 Hz |
| LF Cut | 6 dB |
Tight LF bandwidth (Q≈0.7) concentrates the boost and resonance right at the bass fundamental. The simultaneous cut removes low-mid bloat.
See Also
- Techniques & Presets — Pultec trick and tonal shaping recipes
- Genre Signal Chains — per-genre Pultec settings
- Instrument Buses — per-bus Pultec settings