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Pultec EQ

EQ — Position 3

The Pultec EQP-1A is one of the most revered equalizers in recording history. Its passive tube circuit enables a unique behavior: the low-frequency boost and cut controls can be applied simultaneously, producing a characteristic curve no single filter can reproduce. The original hardware’s inductor network also creates a resonant peak at the shelf corner frequency — this module models that resonance authentically.


Controls

Low Frequency Section

ControlRangeDescription
LF Boost Freq20–300 Hz (skewed)Corner frequency for the LF boost shelf. 60 Hz is the classic kick/bass fundamental; 100–150 Hz for warmth on guitars or synth bass.
LF Boost0–18 dBLow shelf boost amount. At the corner frequency, the LCR resonant peak adds an additional bump (≈45% of boost dB, Q=1.8), characteristic of the original hardware inductor.
LF Boost Bandwidth0.0–1.0Shelf width. 0 = narrow (Q=1.0, boost concentrated just below corner). 0.67 = musical default (Q=0.5, boost spreads through 2–3× the corner frequency). 1.0 = wide (Q=0.25, broad low-end lift).
LF Cut Freq20–400 Hz (skewed)Corner frequency for the simultaneous LF cut. Typically set to the same frequency as the boost or slightly lower.
LF Cut0–18 dBLow shelf attenuation amount. Cuts the low-mid bloom while the boost adds sub energy — the source of the classic Pultec shape.
LF Cut Bandwidth0.0–1.0Cut shelf width. Same Q mapping as LF Boost Bandwidth.

High Frequency Section

ControlRangeDescription
HF Boost Freq3–20 kHzHigh-frequency boost center. 8–12 kHz for presence and air; 3–5 kHz for upper-mid bite.
HF Boost0–18 dBHF boost. The Pultec HF boost is famous for being non-fatiguing at high amounts due to the gentle passive shelf shape.
HF Boost BW0.0–1.0HF boost bandwidth. Low = wide, shelf-like. High = narrow, bell-shaped.
HF Cut Freq5–25 kHzHF shelving cut center.
HF Cut0–18 dBHF shelf cut amount.

Saturation

ControlRangeDescription
Tube Drive0.0–1.0Tube saturation via tanh soft clipping. Low values (0.1–0.25) add analog warmth without audible distortion. Higher values bring in harmonic density.
BypassOn/OffBypasses all processing.

LCR Resonance

The original EQP-1A’s inductor network creates a resonant peak at the boost shelf corner frequency. This is not a bug — it is the reason the Pultec adds perceived punch even at modest boost levels. The resonant peak is modeled as a PeakingEQ at the corner frequency with:

  • Amplitude: 45% of the shelf boost dB
  • Q: 1.8

At +12 dB LF Boost / 60 Hz, you get approximately +5.4 dB of resonant peak right at 60 Hz, sitting on top of the shelf boost. This combination gives kick drums and bass instruments a tight, focused fundamental.

The LF Boost Bandwidth control interacts with this: a wider shelf (higher BW value) spreads the boost through more of the musical range (100–300 Hz), making it useful for guitar buses and synths in addition to bass-heavy material.


The Pultec Trick

The simultaneous boost/cut is the most celebrated Pultec technique:


Techniques

Master Bus Weight and Air

ControlValue
LF Boost Freq30 Hz
LF Boost6 dB
LF Boost Bandwidth0.67
HF Boost Freq12 kHz
HF Boost4 dB
Tube Drive0.15

Sub weight below 30 Hz with the LCR resonance providing a gentle 30 Hz focus, plus air above 12 kHz. Classic mastering move.

Guitar Bus Presence

ControlValue
LF Boost Freq100 Hz
LF Boost5 dB
LF Boost Bandwidth0.8
HF Boost Freq8 kHz
HF Boost6 dB
HF Boost BW0.60

Wide LF boost at 100 Hz adds body and weight to electric guitars. The resonant peak at 100 Hz gives that characteristic upper-bass warmth. HF presence boost at 8 kHz adds cut-through.

Bass Bus Fundamentals

ControlValue
LF Boost Freq60 Hz
LF Boost10 dB
LF Boost Bandwidth0.5
LF Cut Freq60 Hz
LF Cut6 dB

Tight LF bandwidth (Q≈0.7) concentrates the boost and resonance right at the bass fundamental. The simultaneous cut removes low-mid bloat.

See Also